Amy Taylor in graphic news article that states "Amyl and the Sniffers Try to Escape Jamie Nelson's Copyright Counterclaims."

Amyl and the Sniffers Try to Escape Jamie Nelson's Copyright Counterclaims by Disputing Jurisdiction

The band is trying to get out of the U.S. case on jurisdictional grounds — despite heavy U.S. touring, and despite lead singer Amy Taylor suing Nelson in the U.S. in the first place.

CASE UPDATE: AMY TAYLOR, AMYL AND THE SNIFFERS v. JAMIE NELSON

Amy Taylor sued Jamie Nelson in an attempt to prohibit Nelson from making a living off her own copyrighted images. During the lawsuit, Nelson discovered that Taylor and her band, Amyl and the Sniffers, had actually been using her images without her consent and without payment. Nelson countersued for willful copyright infringement.

When Nelson sought to serve the band, they dodged contact, and Nelson ultimately had to hire a five-person investigative team to track them down and serve the band during one of their U.S. concerts. The band has since filed a motion attempting to escape Nelson’s counterclaims, arguing that the U.S. court lacks jurisdiction because the company is based in Australia — which could force Nelson to pursue a new action against the band in Australia.

But the evidence before the Court showed years of substantial U.S. activity by Amyl and the Sniffers, including American tours, ticket and merchandise sales, promotion directed at American fans, U.S. distribution, a U.S. option in the band’s online store, and representation by a Los Angeles-based booking agency.

The band argued that only a “very small percentage” of its social-media following was located in the United States. That percentage was 16%. Based on the Facebook and Instagram numbers submitted to the Court, Judge George H. Wu calculated that figure at 157,120 and wrote that it was “hardly a diminutive sum.”

Judge Wu’s tentative ruling also pointed to the band’s repeated touring and commercial activity across dozens of American cities. The Court tentatively found that those U.S. contacts were not merely random or isolated and rejected the argument that Australia was the more appropriate forum for Nelson’s counterclaims.

The irony is that Amy Taylor originally claimed to be a “resident of Los Angeles” when filing her lawsuit against Nelson in California federal court. Now, after Nelson has brought counterclaims, Taylor has filed a new amended lawsuit claiming that she and the band are residents of Australia — while the band argues that it should not be subject to jurisdiction in the United States.

Taylor chose California federal court in the first place. Judge Wu specifically noted that Taylor herself filed suit in California, that Taylor and the band company are represented by the same lawyers, and that band members or representatives may already be required to participate in discovery or trial in California if Taylor’s case proceeds.

Meanwhile, Judge Wu has released tentative rulings in Nelson’s favor finding her photographs to be expressive works protected by the First Amendment. Taylor’s main federal claim now risks getting completely tossed with prejudice.

In addressing Taylor’s latest attempt to save the federal claim, Judge Wu wrote that her additional allegations “did not move the needle” and tentatively concluded that Taylor “cannot survive the Rogers test.” If adopted, the ruling would dismiss Taylor’s federal Lanham Act claim without giving her another opportunity to amend it.

The Court also tentatively ruled that Nelson’s request for a judicial declaration establishing her rights to display, reproduce, distribute and sell the photographs would remain in the case. Nelson would be given an opportunity to amend her copyright infringement allegations to add more detail concerning alleged acts of infringement occurring within the United States.

An official ruling is expected on September 14, 2026, when the Court is scheduled to consider three dismissal motions.

Nelson says: “Photographers and artists should understand their rights and be able to defend those rights when necessary, despite power imbalances or lack of resources.”

Nelson has come out boldly on her social media to create awareness of the rights of creators who have been publicly bullied or threatened by litigation. She has also created a line of merchandise to educate the public on copyright, artists’ rights, intellectual property, and the First Amendment.

Nelson acted as her own attorney for six months, wearing a pink suit to court in true Elle Woods style and learning in real time how to use the legal system to fight for her rights.

This post reflects my understanding of the public record and is not legal advice.

Further Reading on Amy Taylor v. Jamie Nelson

Mission Impossible: Serving Amyl and the Sniffers

The Full Story

Factual Timeline

Why I Filed a Restraining Order Against Amy Taylor

How the Media Got it Wrong

Music Industry Bullying

'Rights Grab' Contracts in Live Music

Support Jamie Nelson’s fight for artists’ rights, First Amendment protections, and copyright law. Proceeds from merchandise sales help offset the legal costs of the ongoing litigation: Jamie Nelson Support T-Shirts

Screenshot of a Blunt magazine article titled “Amy Taylor Chose a California Court. Now She Says Australia Is the Right Place,” discussing Amy Taylor, Amyl and the Sniffers, Jamie Nelson, and the jurisdiction dispute in the federal lawsuit, with a photo ofAmy Taylor performing onstage.Black case-update graphic dated September 10, 2026, titled “Taylor v. Nelson: Dismissal Showdown.” Text explains that three dismissal motions could reshape the case, that Amy Taylor and Amyl and the Sniffers seek dismissal of Jamie Nelson’s counterclaims in favor of Australia, and that Nelson has moved to dismiss Taylor’s lawsuit ahead of a September 14 hearing. Screenshot of a Digital Music News article titled “Legal Battle Between a Punk Singer and a Photographer Heats Up, Illustrating the Ever-Changing Landscape of Artist Rights and Celebrity Likeness.” The July 6, 2026 article discusses the litigation between photographer Jamie Nelson and singer Amy Taylor and features a black-and-white photo of Taylor sitting in a police car.
Screenshot of an article section titled “Three Motions, One Hearing,” explaining the dismissal motions in the Amy Taylor v. Jamie Nelson case, including Taylor’s and Amyl and the Sniffers’ efforts to dismiss Nelson’s copyright counterclaims and Nelson’s motion to dismiss Taylor’s lawsuit. Below are three close-up portraits from Jamie Nelson’s “Champagne Problems” Vogue Portugal series, with the page caption identifying the subject as Amy Taylor.Black graphic titled “The Contradiction” summarizing Amy Taylor’s changing residency claims in the lawsuit. It states that Taylor initially claimed California residency, later amended her complaint to say she lives in Australia after Jamie Nelson filed copyright counterclaims, and now cites Australian ties with Amyl and the Sniffers in seeking dismissal of Nelson’s counterclaims.Black graphic titled “No U.S. Business Contacts?” stating that Amyl and the Sniffers argue they lack sufficient U.S. business contacts for California jurisdiction, while noting the band regularly tours and earns revenue in the United States and was served with Jamie Nelson’s counterclaims during its U.S. tour on June 20, 2026.Black graphic titled “Why the Hearing Matters” explaining that the September 14 hearing could dismiss or narrow Amy Taylor’s lawsuit, determine which parties remain in the case, and decide whether Jamie Nelson’s copyright claims proceed in California.Black graphic titled “How It All Started” explaining that Jamie Nelson conceived, financed, produced, directed and photographed the Los Angeles fashion editorial “Champagne Problems,” choosing Amy Taylor as the model. It states the images were later published in Vogue Portugal and offered as fine-art prints, and that Taylor’s attorney later demanded Nelson remove the images from Instagram and her portfolio, alleging use of Taylor’s likeness to promote Nelson’s business.Black graphic titled “The Cease + Desist” explaining that in November 2025 Amy Taylor’s attorney demanded Jamie Nelson remove the photographs from her art website and Instagram. It states that Nelson refused, asserting her copyright ownership, and later sent her own cease-and-desist after discovering alleged unauthorized uses of her images by Taylor and Amyl and the Sniffers.Black graphic titled “The Restraining Order” explaining that Jamie Nelson says communications from Amy Taylor and her management became hostile after Nelson refused Taylor’s demands. It states that Nelson sought a civil harassment restraining order based on alleged bullying, intimidation, and threats involving Taylor, Amyl and the Sniffers associates, and management, and reported the alleged conduct to Australian police and cyberbullying organizations.
Screenshot of an ABC News article titled “Amyl and the Sniffers’ Amy Taylor battles photographer in court over sale of images.” The article discusses the legal dispute between Amy Taylor and photographer Jamie Nelson and features one of Nelson’s “Champagne Problems” photographs of Taylor holding champagne by a swimming pool.Black graphic titled “The Lawsuit” explaining that two weeks after Jamie Nelson filed a restraining-order petition against Amy Taylor, Taylor filed a federal lawsuit in California against Nelson. It states that Taylor alleged violations of her name, image and likeness rights over Nelson’s copyrighted photographs, and that Taylor’s attorney argued her image was “worth in the millions,” citing work with luxury brands including Gucci.Black graphic titled “The Lawsuit” explaining that Amy Taylor sued photographer Jamie Nelson over right-of-publicity, trademark and likeness-related claims after Nelson offered photographs from the self-funded shoot as fine-art prints. It states that Nelson denied the allegations and later filed copyright infringement counterclaims against Taylor and Amyl and the Sniffers, alleging use of her images without consent or payment.
Screenshot of an ABC Australia article quoting photographer Jamie Nelson on the Amy Taylor lawsuit. Nelson says models should understand their rights and use contracts for future restrictions, argues they cannot later take away a photographer’s rights, and says she is fighting for artists’ ability to make a living from their work. A highlighted passage notes Nelson’s advocacy for artists’ rights and copyright.Black graphic titled “The PR Spin” stating that in March 2026 Amy Taylor and her PR team announced a “near complete victory” despite Judge Wu expressing skepticism and finding Taylor’s claims insufficient as pleaded. It says several publications later retracted articles after reviewing court filings, while Blunt magazine challenged Taylor’s public narrative using receipts and messages from the band’s management, emphasizing that the case was far from over.Black graphic titled “The Counterclaims” explaining that Jamie Nelson says she discovered Amyl and the Sniffers were posting her photographs without payment, consent, or authorization. It states that Nelson filed copyright infringement counterclaims against Amy Taylor and the band, alleging willful infringement involving 10 copyrighted images and noting that, if proven, statutory damages under the Copyright Act can reach up to $150,000 per infringed work.Black graphic titled “Artists’ Rights Matter” stating that the Court’s earlier tentative ruling recognized Jamie Nelson’s photographs as expressive works protected by the First Amendment. It frames the case as a dispute over whether artists retain control over displaying, licensing, and profiting from their work, and argues that Amy Taylor’s lawsuit could shift control from creators to the subjects depicted.Black graphic titled “Serving the Band” explaining that after Jamie Nelson added Amyl and the Sniffers to the lawsuit, she was required to formally serve the band. It states that after four months of unanswered emails and returned legal papers sent to registered Australian addresses, Nelson hired a five-person investigative team, and the band was ultimately served during its U.S. tour when investigators posing as fans handed Amy Taylor the legal papers through a chain-link fence. Black timeline graphic summarizing key events in the Amy Taylor v. Jamie Nelson dispute: Jamie Nelson photographs Taylor for the “Champagne Problems” shoot in May 2025, the editorial is published in Vogue Portugal in July, Taylor demands removal of the images on November 18, and Nelson files for a civil harassment restraining order against Taylor on December 9, 2025.Black “Timeline Cont.” graphic summarizing key events in the Amy Taylor v. Jamie Nelson federal case: Taylor files suit in California on December 22, 2025; Nelson files copyright counterclaims and dismissal motions in February 2026; Judge George H. Wu dismisses Taylor’s claims as pleaded with leave to amend in March; Amyl and the Sniffers is served with Nelson’s counterclaims during its U.S. tour in June; and a hearing on all three motions is set for September 14, 2026.
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